Showing posts with label Bangladesh. Show all posts
Showing posts with label Bangladesh. Show all posts

Friday, August 31, 2012

Amy Helene Johansson: A Lost Revolution?




"My heart is beating for this project and it would be wonderful if as many people as possible see it and get enlightened about the situation. " -Amy Helene Johansson

Prior to the boom in the garment industry, almost no women in Bangladesh worked outside of their family or marital homes, and had few opportunities to earn money. However today, the female garment workers are the backbone of the Bangladeshi economy in an industry that generates billions of dollars each year. It should be a womens revolution, but is it?

While academics and economists agree to some extent that Bangladeshi women are in the midst of a revolution, they are still not empowered financially or socially. And are not strong enough to demand a fair remuneration. Multinational companies such as Nike, Levi Strauss and H&M are generally unaware of the life situation of sewing machine operators; their housing conditions, family structures, and food provisions.

Amy Helene Johansson is a photojournalist who studied film and theatre theory before earning a BA in fashion design. However, after a decade of working for H&M as a fashion designer, she discovered photography. Her work has been published in leading broadsheets and magazines in the UK and Sweden, including the Sunday Times UK, Dagens Nyheter and Sydsvenska Dagbladet. Her work has been awarded Asian Geographic Magazine Faces of Asia Award, the Foundry Emerging Photojournalist Award and the Swedish Picture Of the Year Multimedia Category and been shortlisted for ELLE commission award and a National Geographic award.

She's also a Foundry Photojournalism Workshop (Manali, India and Istanbul) alum. A Lost Revolution was produced in collaboration with the Bombay Flying Club. 

Friday, March 2, 2012

Alfonso Moral: Machine Man: 69th POYi


"Allah has said that a woman should behind 5 fences"

Alfonso Moral and Roser Corella were awarded POYi's First Place Award for Long Form Multimedia Story with their Machine Man, a documentary dealing with modernity and global development, with men (and women) as machines.

In Dhaka, Bangladesh, men and women undertake hard physical tasks with machine precision and routine: they load their bodies with heavy materials; they manufacture bricks; they separate plastics and they drive rickshaws. They are the machine men, a mass of millions of people who become the driving force for the city.

There's a lot of powerful work by a variety of photographers on POYi 69th which has announced its winners. However, I decided to feature the work of Alfonso Moral (photographer ) and Roser Corella (editor) on this blog, not only because Machine Man is a very well done documentary, but because they're freelance.

I might take some flak for this, but the photographers and photojournalists backed by powerful newspapers, magazines and other media such as The New York Times, The Los Angeles Times, Newsweek and the National Geographic getting awards have a considerable edge over others who don't enjoy this backing. It's therefore refreshing to see that POYi chose freelancers for this category.

Alfonso Moral is a Spanish photographer, who worked for a while with El Norte del Castiliano newspaper. He later moved to Syria and began focusing on the Middle East from where he covered Lebanon, Palestine and Iraq in addition to elections in Afganisthan and the Hezbollah movement in Southern Lebanon. Apart from winning a photojournalism grant for his work on the Palestinian refugees, his work was featured in El Pais and Newsweek amongst other publications. He is currently based in Barcelona.

Tuesday, July 20, 2010

Andrea Pistolesi: The Rohingya Refugees


Photo  Andrea Pistolesi-All Rights Reserved

Andrea Pistolesi is a pro in the full meaning of the word...a my kind of guy...a photographer who fuses travel and editorial imagery, and who's candid enough to say that professional travel photography as it existed is now extinct, and that travel publications and ancillary glossies are a dying breed. He espouses the view -like I do- that interesting visual stories are all around us, but that we need to broaden our scope by creating new ways of distribution (think of the new VII Magazine, as an example).

Andrea was born and lives in Florence, and studied geography at the local university, evolving in a travel photographer specializing in geographic and global social reportage. He published books on exotic destinations (Indonesia, New Zealand, Morocco, South Africa, The Land of Buddha, Hinduism, Eastern Christianity), and amongst others, has recently published a book on prayers of major religions.

He was widely published in CN Traveller (Italy), Delta Sky, Departures, Elle, l'Espresso, Figaro Mag, Gente Viaggi, Geo, Gulliver, Hemispheres, Islands, LATimes Mag, National Geographic, NYT Sophisticated Traveler, Photo, Rutas del Mundo, Smithsonian Mag, Time, Travel & Leisure, and many others.

Andrea's website is a cornucopia of travel and editorial photography, which is bound to give viewers hours of enjoyment, and provide photographers immense inspiration and ideas.

I spent a while on his website, trying to decide which of his galleries to feature on this blog. It was difficult, and I changed my mind often. Finally, I chose the brilliant reportage of the Rohingya refugees in southern Bangladesh.

As Andrea describes them, the Rohingya are the unwanted of southwestern Asia. An ethnic Muslim minority, they have no rights in Burma and try to flee across the borders with Bangladesh where only a few earn a refugee status. For others, it's a life of squalid illegal camps, an unending odyssey falling prey to human traffickers, to organ traffickers, to sex rings and to pedophiles.

Also read Andrea's blog post Requiem For Travel Photography. And don't miss his work on the Nats (spirits of Mynamar) and on the Bugis Seafarers.

Highly recommended as a photographer to follow.

Sunday, July 4, 2010

Stijin Pieters: Durga Puja




Stijn Pieters is a self taught freelance photographer based in Gent, Belgium whose work focuses on under-reported social, political and environmental issues. He completed projects in Nepal, Kashmir, Palestine, Northern Ireland, Swaziland, Yemen, Morocco, Iran, Vietnam, The Philippines, India and Bangladesh; most of which tackle diverse issues, from HIV/aids in Swaziland to the pervasive gun culture in Yemen, from Agent Orange victims in Vietnam to stateless people in Bangladesh.

For his projects in Yemen in 2006 and Morocco in 2007, Stijn received respectively grants from the Pascal Decroos Foundation and the King Baudouin Foundation. His work has been published in Belgian magazines like MO*, Vrede, Menzo, Tertio, Vacature, Varen and Isel Magazine.

The above slideshow is on the Durga Puja in Bangladesh, and is very nice work by Stijn. It's an annual Hindu festival in South Asia that celebrates worship of the Hindu goddess Durga. You can click on it for a full screen experience.

The most celebrated Durga Puja is in Calcutta where more than 2000 pandals (temporary structures...like thrones) are set up for the populace to venerate. Durga Puja in Calcutta is often referred to as the Rio Carnival of the Eastern Hemisphere.

Monday, August 17, 2009

Geoffrey Hiller: The Bangladesh Project


Geoffrey Hiller is an award winning multimedia artist, a teacher of interactive media, a photographer and the editor of Verve Photo, which he describes as having showcased the work of close to 300 photographers. However, he returns to this blog's pages for his The Bangladesh Project.

Geoffrey has lived and taught in Dhaka from August 2008 to May 2009 on a Fulbright Scholarship, teaching interactive media, and has now published a dedicated website for his The Bangladesh Project in which he showcases a number of photographic galleries such as Faces, Islam, The River, Hindu Culture, to name but a few, of images made in this photogenic and magnetic country. Geoffrey and his students have been photographing everywhere in Dhaka...in the streets, on constructions sites, in markets, in madrasas, trying to capture the essence of this city of 15 million people.

Personally, I think he succeeded. I also hope that Geoffrey will be producing a multimedia feature based on this project.

Tuesday, July 7, 2009

Lens Culture: Munem Wasif


Photo  Munem Wasif -All Rights Reserved

Munem Wasif is a Bangladeshi documentary photographer, who started his photographic career as a feature photographer for the Daily Star, a leading English daily of Bangladesh. In 2007, he was selected for the World Press Photo Joop Swart Masterclass in the Netherlands, and subsequently won International Award "F25" of the Fabrica and "City of Perpignan Young Reporters Award". His work is exhibited at the Tokyo Metropolitan Museum of Photography, at the International Photography Biennial of the Islamic World in Iran, at Fotofreo, the festival of photography in Australia and at Visa Pour l Image in Perpignan. He is represented through Agency VU in Paris.

The superb Lens Culture blog brings us exclusive audio interviews with Munem, who spoke of the ecological and personal disasters in Bangladesh caused by a vast influx of shrimp farming.

Another interview with Munem appeared on TTP here.

via The Click

Sunday, June 14, 2009

Khaled Hasan: The Stone Crushers


Khaled Hasan was born in Dhaka, Bangladesh, and joined Pathshala (the South Asian Institute of Photography) and completed a workshop in Chobimela IV (2006). He was inspired by Shahidul Alam and Reza Deghati. He worked as a freelancer for several daily newspapers in Bangladesh and for the photo agency Majorityworld. His photographs have been published in the Sunday Times Magazine, American Photo, National Geographic, Better Photography, Saudi Aramco World and The New Internationalist.

The Stone Crushers of Bangladesh also appeared on GlobalPost, the excellent online news organization, and documents the working community of Jaflong in the northeastern part of Bangladesh. The Piyain River, which flows from India through Bangladesh, washes rocks and pebbles from India into the Jaflong area, where thousands of laborers collect the stones and crush them. The crushed stones are then sold for making roads and at construction sites. A backbreaking job for little pay and no security.

Gritty documentary work by yet another talented photographer/photojournalist from Bangladesh!

Monday, June 1, 2009

Saiful Haq Omi: Bangladesh's Coastline


Bangladesh is a country that produces incredibly talented documentary photographers, and certainly Saiful Haq is among those who qualify for the recognition.

Saiful Haq Omi has wanted to tell stories from his very first days as a photographer. His political activism eventually evolved, and he now considers himself as a photo activist,hoping to use his visual talents to document a variety of unique and vibrant profiles including the former prime minister, migrant workers, laborers, - and victims of political violence.

From his black & white portfolios, I like his Life Along the Coastline the best as it documents a way of life surviving the erosion of land by rivers and sea, surviving the loss of homes and livelihood, and a story of migration against all odds.

I ought to add my thanks to Asim Rafiqui for pointing out, via his erudite post The Dust From Blood-Filled Eyes, that Saiful Haq was a finalist for the prestigious Alexia Foundation Grant, where there's more on his photographic background.

Thursday, August 7, 2008

Bangladesh Indigenous Women: Mahmud


Over 50 different indigenous societies live in Bangladesh, and women are the most excluded from the rest of society. Mahmud, of MAP Photo Agency, has photographed these populations for the last decade. This exhibition of his work, co-hosted by ActionAid and the Bangladesh Indigenous People�s Forum will be held at Drik Gallery on August 7-13, 2008.

Venue:
Drik Gallery
House 58, Road 15A (New),
Dhanmondi Residential Area, Dhaka, Bangladesh
Tel: (880-2) 9120125, 8123412, 8112954

Unfortunately, I wasn't able to find Mahmud's work on the web, but his image of the woman above is indicative of his talents.

Wednesday, January 16, 2008

Shahidul Alam: Brahmaputra

Layout © Zone Zero-All Rights Reserved

Here's one of my favorites multimedia presentations by Shahidul Alam, one of the most prominent photographers and educator in South Asia. He became the president of the Bangladesh Photographic Society, and founded the Drik Picture Library and "Pathshala" - South Asian Institute of Photography. He is also a director of Chobi Mela, the festival of photography in Asia, and has been awarded the Honorary Fellowship of the Royal Photographic Society in 2001, for his contribution to photography. He is on the advisory board for the Eugene Smith Memorial Fund and the National Geographic Society.

Brahmaputra may seem outdated now, but it's still a marvelous multimedia project featuring a journey from Mt Kailash to Lhasa, through Assam down to Bangladesh. The photographs are small and the multimedia add-ons are not as impressive by today's standards, however there's no question that Brahmaputra is one of the multimedia projects that led the way.

Via Zone Zero: Brahmaputra

Wednesday, October 31, 2007

G M B Akash: Gordon Parks Center

Image Copyright © G M B Akash-All Rights Reserved

I was pleased to learn that G M B Akash has won first place in the 2007 Gordon Parks International Photo Competition with the above remarkable photograph of a young girl on a train in Bangladesh. Akash tells us that because of Bangladesh�s large population, inadequate number of seats on trains, and inherent poverty, many people are stowaways. This often results in terrible accidents.

I've posted about Akash's photographic talents on TTP here, where in contrast to other mindless agenda-driven blogs, I chose to adopt a less venomous approach to his photograph of a chained Muslim child in a Bangladeshi madrasa.

The Gordon Parks International Photo Competition has been conducted by Fort Scott Community College since 1990. More than 3,100 individuals from around the world have participated in this annual program that, inspired by the photography of Gordon Parks, reflects important themes in life such as social injustice, the suffering of others, and family values.

G M B Akash's Website

Gordon Parks Center's Contest Results