Tom Bourdon: Dayakan Dance

Tom Bourdon was recently in Java, Indonesia where he photographed a traditional Dayak dance near Borobodur. He captured the ambient sound with the new and popular Zoom H1, and put together this audio slideshow. You can also view it here.

The Dayak are the native people of Borneo, who live principally in the interior of Borneo, each with its own dialect, customs, laws, territory and culture. Dayaks also live in Indonesia, and have their distinct culture as Tom Bourdon documented.

The Dayak were animist in belief, however many converted to Christianity, and more recently to Islam. Estimates for the Dayak population range from 2 to 4 million.

Tom is a documentary travel photographer specializing in recording cultural festivals & celebrations across the globe. His work has been published in the national & international press as well as guide books & numerous online locations.

I thought I'd add this review of the Zoom H1. It's by B&H, and while it's short and to the point, it gives a reasonable appraisal of the device.

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Vincent Prvost: West Papua

Photo  Vincent Prvost-All Rights Reserved

 I occasionally receive emails from photographers such as the one from Vincent Prvost that make the work of maintaining The Travel Photographer blog feel really worthwhile.

Vincent tells me he's been a regular reader of The Travel Photographer blog for about 2 years, and that it has been a source of inspiration to him. He cites my two posts on Grenville Charles and Diego Verges, who documented tribes of West Papua,  as triggering his own photo expedition "Highlands Encounters" to this remote part of the world.

That's what this blog is all about...to inspire photographers to explore other unfamiliar areas, to try new techniques and to document endangered cultures.

He has been teaching French in South Korea since 2002 and is also a freelance editorial photographer who fuses fine art and journalism. While most of his work is in color, he also enjoys black & white photography, and travels with compact audio equipment to add a further dimension to his visual work.

West Papua is an Indonesian province that borders the independent nation of Papua New Guinea and forms the western half of the world's second largest island. The indigenous people of West Papua are of the same ethnic origin as those in the eastern half of the island of New Guinea. Ethnically and culturally, they are also related to other Melanesian peoples of the Pacific.

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James Morgan: People of the Coral Triangle

James Morgan features the People of the Coral Triangle, a well made documentary on the Bajau Laut, on his website, along with other multimedia projects such as the Eagle Hunters (previously featured on TTP), and fast-paced documentaries of Hong Kong, Beijing and Tokyo.

As he explains, the Coral Triangle refers to a triangular shaped area of the tropical marine waters of Indonesia, Malaysia, Papua New Guinea, Philippines, Solomon Islands and Timor-Leste. It is there that 3,000 species of fish live, including the largest fish - the whale shark, and the coelacanth. It also provides habitat to six out of the worlds of seven marine turtle species.

The Bajau Laut are an indigenous ethnic group of the southern Philippines, who have migrated to neighboring Malaysia over the course of the past 50 years. They depend directly in the natural resources of the Coral Triangle, and are the last nomadic marine communities of the world. Mostly Muslims, some also worship local sea spirits.

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Ramadan: The Month Of Fasting

Photo  Adek Berry/AFP/Getty Images-All Rights Reserved
The Islamic month of Ramadan started while I was in Bali, and while the majority of the island's inhabitants follow Hindu traditions, there were indications that its Muslim communities were observing it, especially in areas such as Semarapura.

Many of the newspapers' photo-blogs such as the Boston Globe's The Big Picture, the WSJ Photo Journal and the like have featured images of Ramadan observances around the world, but the one I liked the most was from The Sacremento Bee's The Frame.

In the above photograph, Indonesian women pray during the first night of Ramadan in Jakarta on August 10, 2010. The fasting month of Ramadan, which started on August 11, is the ninth month of the Muslim Hijra calendar, during which the observant abstain from eating, drinking, and smoking during daylight and, in the evening, eat small meals and conduct evening prayers.

I also read that President Obama has recently positively weighed in on the issue of erecting an Islamic community center in downtown Manhattan, but has then waffled on his stance following criticism from his detractors, from conservatives and from the illiterate xenophobes who, incidentally, do not live in Manhattan or even in New York.

Much as has been said and written about this issue, but two of the most repellent are these: the Anti-Defamation League, an organization dedicated to ending unjust and unfair discrimination, but which now blatantly discriminates against American Muslims, and Newt Gingrich who squawked that Nazis dont have the right to put up a sign next to the Holocaust Museum in Washington, making the analogy between Nazism and Islam.

President Obama should be reminded that he said this on the inauguration of his presidency:

"We are a nation of Christians and Muslims, Jews and Hindus, and nonbelievers. We are shaped by every language and culture, drawn from every end of this Earth."

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Joey L. : The Mentawai (The Movie)

Here's a highly recommended 16-minute long movie documentary of Joey L.'s (and his team) excursion into the land of the Mentawai. It starts with the 10-hour crowded cargo ferry ride from Sumatra across the strait to the islands of the Mentawai, approximately 150 kilometers off the Sumatran coast.

The excursion took 2 years to plan and prepare, and we are treated to a behind the scenes look at the photo shoots along with snippets of the Mentawai's life. The amount of gear that Joey and his team had to carry was quite significant. This is not a destination where you show up with a couple of cameras and flashes. They had to lug heavy lighting equipment, large reflectors and lightboxes, cameras, lenses, video equipment, generators, food and so forth.

The most visible Mentawai tribesmen in the documentary are Bajak Tarason and Bajak Tolkot, who seem to have a pessimistic view of the Menatawai's future. They address the interference of the Indonesian government in their ancient tribal customs, and of the Christian missionaries who seek to change their belief system.

It's Bajak Tolkot who invites the world to visit the Menatawai islands, to witness their way of life before it's too late. I really hope very few people take him on this invitation. I realize that an influx of tourists could bring a much needed infusion of prosperity to the Mentawai, but it would also accelerate the demise of their way of life, or turn them into performers; wearing their loin cloths and brandishing their arrows for the tourists' cameras.

In the documentary, I've seen young Mentawai wearing graphic t-shirts, including one of Donald Duck, posing next to a traditional Mentawai tribesmen. So the infiltration has already started, and not before too long, the baseball caps will appear as well. It's a shame that similar cultures and traditional ways of life can so swiftly disappear.

My thanks to Cathy Scholl for the heads-up on this movie.

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Matt Brandon: Sumatra

Image © Matt Brandon-All Rights Reserved
Matt Brandon over at the Digital Trekker just returned from an assignment in Sumatra, and has great portraits to share with us. He traveled to the small community of Sekayu in Sumatra, which is populated by a community of friendly and welcoming Muslim people called the Musi. They live up and down the Musi River that flows through their territory and down through Palembang.

Having converted some of his resulting photographs to B&W, he put up a slideshow with music. My favorite one is of this elderly woman...I chose it because Matt managed to expose her face very nicely, and process the photograph just perfectly....despite the shadows thrown by the hat. Not an easy photograph to make well.

Matt Brandon's Sumatra

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NY Times Magazine: A Cutting Tradition

Image © Stephanie Sinclair/NY Times-All Rights Reserved
This Sunday's New York Times Magazine brought us an 8 pictures photo-essay by Stephanie Sinclair titled "A Cutting Tradition" which accompanies an article authored by Sara Corbett on female circumcision in Indonesia.

I was initially glad to finally see a serious topic addressed by the Magazine in a photo-essay format. After all, it's about the cruel, abhorrent and abominable tradition practiced in some Islamic countries on the pretext that it's condoned by Islam. However, the tradition of female circumcision does not originate from Islam nor from the Qur'an, nor is it condoned by either. For more on this, here's a link from the BBC. The tradition has been banned by many Islamic and African countries, and the internet is replete with articles from reputable news organizations confirming this.

However, after reading the accompanying article and looking at the photographs, I regret to describe the photo essay as 'lazy'. I'm not claiming that the photojournalist was lazy; just that what was published as the photo essay was lazy. Stephanie Sinclair's work credentials are impeccable, and her humanitarian efforts are praiseworthy. She founded Operation Azra, a charity aimed at helping a Pakistani woman who burnt by acid thrown by a male relative. So I have no questions as to her professionalism and compassion.

What I'm unclear on however, is whether the photo editors chose these photographs to shock or to inform? There is no narrative thread in the photo essay...none. All of the photographs are of unfortunate young girls going through the procedure, looked over by their mothers and medical attendants. Where is the narrative 'texture'? Where are the contextual photographs? Where are the photographs of the mothers consoling their children as they arrive? Were the mothers saddened or happy with this horrible procedure? Where are the portraits of the mothers and their daughters after the procedure? Having seen other examples of Stephanie Sinclair's work, she must've photographed all over the place, especially as the article mentions that she had full unfettered access at the clinic to photograph at will.

On the other hand, I found the article as authored by Sara Corbett to be fair and even-handed , although I was surprised that it quoted a dubious statistic. I'm not an statistician, but its parameters are risible.

So here's a photo essay limited to these 8 narrowly focused photographs...was is the editors' decision to cull them down to these 8 based on layout design, space, or was it just lazy editing, or for their shock value....? I can't answer that. All I know is that I expected better from the photo editors of the Sunday Times Magazine, especially on an issue such as this one.

The article ends with this: "Nonetheless, as Western awareness of female genital cutting has grown, anthropologists, policy makers and health officials have warned against blindly judging those who practice it, saying that progress is best made by working with local leaders and opinion-makers to gradually shift the public discussion of female circumcision from what its believed to bestow upon a girl toward what it takes away."

The photo-essay: Inside A Female Circumcision Ceremony

The article: A Cutting Tradition

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