Showing posts with label Thailand. Show all posts
Showing posts with label Thailand. Show all posts

Thursday, August 30, 2012

Mark Carey: Muay Thai In Black & White

Photo  Mark Carey-All Rights Reserved

Here's a gallery of monochrome photographs of Muay Thai training made in Bangkok by the talented Mark Carey. These appealed to me as they were photographed away from the glitzy lights of the top Muay Thai arenas in Bangkok, but show the rather edgy side of the sport...as I tried to do in my recent photo essay of the Muay Thai ring in Loi Kroh Road in Chiang Mai. 

Mark Carey is a London-based documentary photographer, who tells us he never had an interest in photographing posed or set-up shots, whether for his wedding photography or during his travels. I think he somewhat bent his rule with some of the frames of the non Thai fighter in the Muay Thai series, but these are the exception and are well worth adding to the gallery...the fellow looks absolutely fierce.

Muay Thai is a combat fight practiced in Thailand, and referred to as the "Art of Eight Limbs" because it makes use of punches, kicks, elbows and knee strikes, thus using eight "points of contact".

By the way, I credit Mark's Vietnam gallery (which I posted about earlier this year) as being one of the catalysts for my forthcoming/imminent Vietnam Photo Expedition-Workshop.

Sunday, August 26, 2012

Ian Terry: Bangkok Offerings



Here's Bangkok Offerings, a short movie (with very nice time lapses) by Ian Terry, a Seattle-based documentary photographer and journalist, as well as an alum of Henrik Kastenkov's multimedia class at the Foundry Photojournalism Workshop*.

Alms giving ceremonies around Bangkok involving thousands of monks are held to celebrate certain auspicious dates in the Buddhist calendar. However, on regular days monks take to walk along the streets of towns and villages on their alms round. This is done throughout the year whatever the weather.

You may also want to view Ian's photographs of a cockfight in Mae Khue, a small town in rural Thailand. According to his entry, the fights he witnessed were not to the finish, and ended when one of the roosters either lost interest or was too exhausted to continue the fight. This is different from those I've seen in India or Bali...where cockfights end with the death of one of the combatant birds.

* Bangkok Offerings wasn't produced for that class.

Monday, August 13, 2012

Shooting From The Hip On LK Road

Photo Tewfic El-Sawy-All Rights Reserved
Whilst teaching at the Foundry Photojournalism Workshop the past week or so, I've also managed to set aside some time to fit some of my favorite style of photography, and shooting from the hip with the Fuji X Pro-1 has been high on my list to do, especially at night.

Here's LK Road, a collection of street photography scenes made in one of the grittiest mainstream streets in Chiang Mai; Loi Kroh Road. The photographs are grouped under the title page of Katoey Or Not?, but I chose not to title this post with that particular name to avoid having visitors being referred to it by search engines for purposes other than photography.

Loi Kroh in Thai means "washing one's troubles away", and it's one of Chiang Mai haunts for tourists principally for the preponderance of girlie bars on its approximately one-mile length...some of these bars are staffed by young women, and/or ladyboys known as katoeys.

Apart from the bars, Loi Kroh Road hosts some restaurants, massage parlors for tourists with aching legs and feet, and tattoo shops. That said, I found its ambiance a little sad and melancholic despite the blaring large screen television sets then showing some Olympics sport event, the occasional clicks of billiard balls, the forced laughter of the young women (or ladyboys) working the bars and the ubiquitous and hopeful "sawasadee...massage?" yells at every corner.

The areas seemed to me to be way past its prime...perhaps it was the off-season as well...but the bars were less than half-empty, even when there were muay thai fights held at the seedy boxing ring. Most of the fights seemed (at least to me) to be staged, with spectators generally consisting of drunken middle-aged European men.

I was asked why I chose to shoot from the hip on Loi Kroh Road, and if it was because it was risky. Not at all...although I imagine some of the bar clients wouldn't relish being photographed. The real reason is the same as whenever I choose to shoot from the hip: it allows me to capture the subjects unawares with natural expressions.

Lastly, the ladyboy in the above photograph, extroverted and very "sociable", reminded me of Ru Paul. I was super prompt in buying her a drink to get rid of her unwanted and rather heavy-handed attentions.

Finally, the Fuji X Pro1 performed extremely well at night, and I have nothing but praise for its performance. Its auto-focus let me down a few times, but its overall performance at high and very high iso is nothing short of spectacular.

Sunday, August 12, 2012

Maika Elan: Ain't Talkin', Just Lovin'

Photo  Maika Elan-All Rights Reserved
Here's the work of Maika Elan titled Ain't Talkin', Just Lovin', which -in my view- is one of the three photo projects that attracted me the most during the final evening of the Foundry Photojournalism Workshop in Chiang Mai.

Maika attended Maggie Steber's (known as "the incomparable Maggie") class The Power of Images in Todays Media, and presented a photo essay depicting individuals living in Chiang Mai with close bonds to their animal friends. Whether these were cats and dogs, or exotic snakes, the mutual relationship and dependency between the two were brilliantly captured by Maika's lens.

While this photo essay most certainly stands firmly on its own two (or is it four in this case?) feet, I somehow wished it had been accompanied by an ambient soundtrack; perhaps a short snippet of a conversation between the young man and his cat purring...as an example. Imagine that!?

Maggie Steber used a wonderful phrase in one of our recent email exchanges...we (the photographers) need to go beyond the tyranny of the photographic boundaries. Yes, we do. Very much so. And adding ambient sound collecting to our panoply of skills is one way of doing it.

Maika will be soon working with me during my Vietnam Photo-Expedition-Workshop, and I'll make sure she's up and running insofar as multimedia is concerned.

The other two projects I particularly liked during the final Foundry Workshop presentation were Ulises Baque's Oui Nan, and Cheryl Nemazie's Night At The Naga.

Tuesday, August 7, 2012

The Travel Photographer's Presentation At The Foundry Photojournalism Workshop

Photo  Insiya Syed-All Rights Reserved

The Travel Photographer (Me) Presenting The Cult Of Durga...A Multimedia Photo Essay On Kolkata's Durga Puja...During The Foundry Photojournalism Workshop.

The presentations were held at the very impressive facilities of the Chiang Mai University.

As you read this, I'll be on my way to London.

Monday, August 6, 2012

Ahmed Shajee Aijazi: Under The Ramadan Moon

Photo  Ahmed Shajee Aijazi-All Rights Reserved

Ahmed Shajee Aijazi is another graduate of my Multimedia For Photographers class at the Foundry Photojournalism Workshop held in Chiang Mai. Titled Under The Ramadan Moon, it's Ahmed's personal take on how the Muslim community in Chiang Mai observe and experience the month-long fast during Ramadan.

This is one of the three multimedia projects that were made in color, and Ahmed exerted much effort to gather its image and audio files despite fasting himself. Difficult under any circumstance, but Ahmed persevered, and completed a worthwhile project he ought to be very proud of.

Ahmed Shajee Aijazi is a Karachi-born photographer, with a formal background in art and design. Known as Shajee (Arabic/Urdu for "courageous"), he has been involved with professional photography for over five years now. His works have received regular press coverage in reputed papers like Dawn, Express Tribune and AAJ News.

Sunday, August 5, 2012

Presentation Night: Foundry Photojournalism Workshop


Well, the Saturday evening presentations of the Foundry Photojournalism Workshop were held at the Chiang Mai University, and I can confirm that the evening was a total success.

My Multimedia For Photographers class presentations started with Near Sky, a monochromatic photo essay documenting the production of the Chaw Fah (symbols atop the spires of temples) by Alycia Down,  followed by Close Encounters of the Foundry Kind by Amean J...consisting of clips of Foundry students expressing their expectations from the Workshop, then followed by Loun Steve, a personal insight into the life of an American expatriate living in Chiang Mai, afflicted by Tourette disease and Huntington's Disease by Christina Malkoun.

Then it was Ahmed Shajee Aijazi's turn for his personal take on Muslim life in Chiang Mai with his Under The Ramadan Moon, which depicted the Islamic tradition of fasting during Ramadan, and this was followed by Aroy May? by Adelina Abad-Pedrosa, a photo essay of the vibrant street food culture in Chiang Mai, which was followed by Cheryl Nemazie's Night At The Naga, a monochromatic look (complete with the foot thumping music of the legendary Johnny Cash) of a tattoo parlor on Loi Kroh Road.

Three of the audio slideshows were in black and white, and three were in color. All of them different from a visual standpoint and content.

NB: It is indeed a small world. I met a photographer who turns out lived on the same street I am on now in New York City...she moved a few years ago, but what are the odds of that happening? And another photographer who saw me on Sudder Street in Kolkata last October...she also stayed in a nearby hotel and ate at some of the same restaurants. Incredible isn't it?

Most of the photographers with whom I spoke to were following my The Travel Photographer blog...which chuffs me a lot.

Friday, August 3, 2012

Almost Finished....Foundry Photojournalism Workshop

Photo Ahmed Shajee Aijazi
Well, the week passed by like a flash! The hard work during my Multimedia For Photographers class (yesterday -Friday-, my students and I spent around 12 hours non-stop in class putting the finishing touches to the multimedia projects) paid off, and the projects are very well done, imaginative and personal.

Tonight is the night when all the students attending the Foundry Photojournalism Workshop will be presenting their individual work...and I bet some haggard-looking people will be walking around like zombies by the end of the day.

Despite spending long hours in class, I find that reviewing portfolios is the most difficult and exhausting of all the tasks I do during the Workshop. It's challenging to provide honest but candid yet constructive opinons about the work presented by the photographers...much of the work I've seen during the portfolio review session was thoughtful, interesting and some outright beautiful...and all was needed was a few suggestions here and there.

Monday, July 23, 2012

POV: Finally! A Minimalist Gear....


I'll be in Chiang Mai in a few days for the Foundry Photojournalism Workshop which formally starts in a week from today. I wasn't keen to haul my usual gear with me, especially with my stops in London and Bangkok, so I have just what you see in the picture.

Depending on whether I have the time or not, I intend to shoot a couple of personal projects in Chiang Mai so I chose to take a Leica M9 with an Elmarit f2.4 28mm and a Voigtlander f1.4 40mm, a Fujifilm X Pro-1 with a Fujinon 18mm and the Tascam DR-40 to record audio. All of this fit in my small Domke F-3X (with room to spare); a small and tough shoulder bag I've been using almost incessantly for a couple of years. I shouldn't forget to mention my iPhone4S, which will be useful for ah hoc photography.

Heck...the Tascam audio recorder is larger than either of these two cameras!!!

I will post sporadically during the coming two weeks...with most of the posts from Chiang Mai and the Foundry Workshop.

Thursday, April 5, 2012

Foundry Photojournalism Workshop: Scholarships Announced


The Foundry Photojournalism Workshop has announced the winners of the Foundry full tuition scholarships for its 2012 Chiang Mai workshop.

Eric Beecroft, Director of the workshop, stated that the amount of entries was unprecedented, and the quality of work received was stunning.

The awardees are:

Arif Setiawan, Indonesia

Saw Banyar, Burma/Thailand

Barat Ali Batoor, Afghanistan

Ajit Bhadoriya, India

Enrique Leopoldo Benedicto Cruz, Philippines

Satirat Dam-ampai, Thailand

Nguyen Thanh Hai, Vietnam **

Ekkarat Punyatara, Thailand

Roger Anis, Egypt

Fabian Weiss, Germany

Ilkin Huseynov, Azerbaijan

Simona Pampallona, Italy

**Nguyen Thanh Hai is also known as Maika Elan, and I'm especially pleased she will be working with me on my Vietnam; North of the 16th Parallel Photo Expedition-Workshop this coming September.

If any of my readers are still on the fence with this unequaled opportunity to attend phenomenal classes with top-class photographers and photojournalists, and expand their network with their peers and others, I really can't urge you strongly enough to get off that fence and join!!!!

Sunday, November 13, 2011

Foundry Photojournalism Workshop 2012: Thailand!


Eric Beecroft, the co-founder of the Foundry Photojournalism Workshops, has just announced that it was ready to accept early registrations ($100 deposit, non refundable, and deducted from the total tuition amount) until January 15, 2012. Early registration guarantees a spot and precedence in the choice of instructor.

The 2012 Foundry Photojournalism Workshop will be held in North Thailand from July 29- August 4, 2012.

For regional students (South Asia-- India, Pakistan, Nepal, Sri Lanka, Tibet and South East Asia-Thailand, Burma, Vietnam, Phillippines, Laos, Cambodia,Indonesia, Malaysia) the tuition is $475. For all others it is $975 US dollars. Payment is via Paypal.

So spread the word via social network sites, Facebook, Twitter, etc.

Monday, November 24, 2008

Tom Hoops: Wai Kru Ceremony


Photograph Tom Hoops-All Rights Reserved

Tom Hoops' biography is sparse....very sparse. His website only says that he's a freelance photographer, based in Bangkok and available for worldwide assignments. That's it.

However, his work speaks for him. Mostly black & white, with a few in color, Hoops has a natural affinity for portraits...striking portraits. A few of his subjects display enormous magnetism, and his Heads gallery is a must-see on his website.

But the gallery I liked best is the Documentary one because Hoops displays his work on the annual Wai Kru (homage to the teacher) ceremony at Wat Bang Phra, a Buddhist monastery 25 miles west of Bangkok. It is here that thousands of laborers, taxi-drivers, truck drivers, mobsters, small time crooks arrive once a year at the temple to take part in ceremony known as wai kru. They receive new tattoos, refresh faded ones, and get high or drunk.

(Tom Hoops gallery via Penelope Gan's blog)

I'm very familar with Wat Bang Phra (or Phro) and its tattooing monks. I photographed the monks at the monastery, and have a blog post here.

Friday, September 12, 2008

Andaman Rising

Courtesy Andaman Rising Org

Every now and then appears a visual project of such quality that I cannot wait to get its website on the virtual pages of TTP. Such a project is Andaman Rising, and is a project of UNC School of Journalism. A sensitive, and very well-put project by young journalists.

Three-and-a-half years after the Asian tsunami hit southern Thailand , a team of young journalists traveled to the seaside province of Phang-nga to document the lives and culture of people living by the Andaman region.

As per the introduction of Andaman Rising:

"By the salty docks of Phang-nga they found stories of determination. In Buddhist temples they found tradition. On boats and in schools and on the streets of tiny villages, they found surprises, sadness, laughter and hope.

Welcome to life by the Andaman Sea."


via The Click (link)

Thursday, March 27, 2008

Beat Presser: Oasis of Silence

Photograph © Beat Presser-All Rights Reserved

When Beat Presser was in late teens, he traveled through Southeast Asia, and met with a car accident in Thailand. Healed from a serious spine injury by monks in a Buddhist monastery, he vowed to do something in return, should he become the photographer he intended to be.

Between 2000 and 2004, he returned to live in Theravada Buddhism monasteries in Thailand, Burma, Laos, Cambodia and Sri Lanka, and photographed the essence of Buddhism. Oasis of Silence is the resulting photographic exhibition and book.

Presser also produced an accompanying website My Oasis of Silence allows participants to post their profile and photographs, and to interact among each other and with Beat Presser, thus creating a growing community and allowing a permanent exchange.

Beat Presser's Buddhism Oasis of Silence is well produced and its background music is haunting, but the B&W photographs are too small to fully appreciate Presser's artistry.