Alex Webb: Streets of Chicago

"I did not have a goal in mind. In fact, I do not have goals in mind when I photograph. I respond to what I see before me." 

Reading Alex Webb's interview on The Leica Camera Blog, I gasped (figuratively) when I got to these phrases. How refreshing to read something said by a photographer that is so devoid of pretension! No bullshit here. He responds to what he sees. He doesn't pretend to see a La Pieta (as some did in Samuel Aranda's World Press winning photograph) in any of his frames...an honest guy and comfortable in his own skin, this Alex Webb.

Perhaps uncharacteristically for many street photographers, he chose to photograph Chicago's character in color. Having mostly worked in color since 1979, Alex tells us he respond to color, and that black and white for him at this time isn't an option. He sees in color and feels in color, so works in color...for him, it's that simple.

That's an interesting statement. When I walk the streets of New York with my camera, I see in color as well, and certainly photograph in color. However, when I return home and view the resulting images, there are some that work better in monochrome than in color. This is the advantage of digital photography, which allows us to alternate between the two. Purists may disagree and will extol the incomparable qualities of Tri-X film and others...but there's no denial that we currently have the best of two worlds.

Since buying a Leica M9, I've been working on a long term project which will involve producing an audio slideshow of my street photographs of New York City. Alex Webb's Streets of Chicago certainly will inspire me to complete my project. I haven't yet decided whether my photographs will be in color or black & white, but after viewing his work, I am inclined towards color.

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Amy Helene Johansson: 88 1/2

I'm extremely pleased to feature Amy Helene Johansson's evocative new work titled 88 1/2; a 5 minutes film which revolves around Jack O'Connell, an eccentric film director who lives in Manhattan and who recalls his days with the greats...Federico Fellini and Michelangelo Antonioni.

Reminiscent of the fabulous New York Times' One In 8 Million series (which sadly have been discontinued), Amy's terrific short film has captured the very essence of this film director...she directed, filmed and produced it after spending 3 weeks with Jack in New York this past fall, and tells me she has much more material to work on.

Amy Helene Johansson studied film and theatre theory before earning a BA in fashion design. Witnessing the power of photography to tell the stories of people without voices, Amy ditched her pencil and paper and bought her first ever professional camera and embarked on a successful career as a photojournalist.

She was published in leading broadsheets and magazines in the UK and Sweden, including the Sunday Times UK, Dagens Nyheter, Sydsvenska Dagbladet, Amelia and Omvrlden. She also picked up first prize in Asian Geographic Magazine Faces of Asia Award, and won the Foundry Emerging Photojournalist Award. Her work has taken her all over the world covering topics as wide-ranging as Burmese refugees to the Cabaret culture in Denmark. Her work has been displayed in solo and collaborative exhibitions in Bangladesh, the Czech Republic, Sweden and the UAE. She is currently exhibited at the National Portrait Gallery in London.

What's with these alum of the Foundry Photojournalism Workshop??? Both Amy and Agata (yesterday's post) produced brilliant work!

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Occupy Wall Street

Photo  Tewfic El-Sawy-All Rights Reserved

More of my OWS photographs can be seen on The Leica File.

Yesterday morning was sunny in New York City, but it was cold in the canyons of Wall Street and its neighboring streets.  And yet, Zuccotti Park was full to the brim with the currently residing protestors, sympathizers from all walks of life, gawkers and tourists...and naturally the members of the NYPD, whose main function it seemed (at least when I was there) was to tell the onlookers not to block the sidewalk.

The atmosphere in the Park was jovial and collegiate. Reasonably clean, with the protestors expressing very friendly vibes to the sympathizers and tourists alike. It was not unexpected that a few weirdos were in attendance, but they weren't getting much attention. Photographers were a dime a dozen...pros as well as non-pros. Television crews were ambling about, trying to get footage that hadn't been done before. Two ladies were busy knitting woolen things for the OWS protestors, while a long and orderly line snaked to the tables where fresh and appetizing food was being served.

At one end of the Park, a lively group of protestors were drumming eclipsing the valiant efforts of a saxophonist, whilst a man was typing some manifesto on -inexplicably- a manual typewriter. A few American flags were hoisted here and there...and vendors seemed to be doing a brisk sale of commemorative lapel pins.

I was gifted a small Hohner harmonica by a protestor who urged me to attend some demonstration later on. Whilst walking around the part, I was accosted by a photographer who asked me if I was The Travel Photographer! It was Charles Meacham, a photographer I featured a number of times on this blog. What a small world! Since he had been featured for his excellent work on the Sikhs, I had assumed he lived in India...but he's from NYC as well.

Like many other sentient individuals, I sympathize with most of the OWS positions...however I fear that all this remarkable civic energy would be better expended in Washington DC. This is where the responsibility for our difficulties lie.

PS. The mellowness that I witnessed may not have lasted long. The NY Times has this.

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