Shooting From The Hip On LK Road

Photo Tewfic El-Sawy-All Rights Reserved

Whilst teaching at the Foundry Photojournalism Workshop the past week or so, I've also managed to set aside some time to fit some of my favorite style of photography, and shooting from the hip with the Fuji X Pro-1 has been high on my list to do, especially at night.

Here's LK Road, a collection of street photography scenes made in one of the grittiest mainstream streets in Chiang Mai; Loi Kroh Road. The photographs are grouped under the title page of Katoey Or Not?, but I chose not to title this post with that particular name to avoid having visitors being referred to it by search engines for purposes other than photography.

Loi Kroh in Thai means "washing one's troubles away", and it's one of Chiang Mai haunts for tourists principally for the preponderance of girlie bars on its approximately one-mile length...some of these bars are staffed by young women, and/or ladyboys known as katoeys.

Apart from the bars, Loi Kroh Road hosts some restaurants, massage parlors for tourists with aching legs and feet, and tattoo shops. That said, I found its ambiance a little sad and melancholic despite the blaring large screen television sets then showing some Olympics sport event, the occasional clicks of billiard balls, the forced laughter of the young women (or ladyboys) working the bars and the ubiquitous and hopeful "sawasadee...massage?" yells at every corner.

The areas seemed to me to be way past its prime...perhaps it was the off-season as well...but the bars were less than half-empty, even when there were muay thai fights held at the seedy boxing ring. Most of the fights seemed (at least to me) to be staged, with spectators generally consisting of drunken middle-aged European men.

I was asked why I chose to shoot from the hip on Loi Kroh Road, and if it was because it was risky. Not at all...although I imagine some of the bar clients wouldn't relish being photographed. The real reason is the same as whenever I choose to shoot from the hip: it allows me to capture the subjects unawares with natural expressions.

Lastly, the ladyboy in the above photograph, extroverted and very "sociable", reminded me of Ru Paul. I was super prompt in buying her a drink to get rid of her unwanted and rather heavy-handed attentions.

Finally, the Fuji X Pro1 performed extremely well at night, and I have nothing but praise for its performance. Its auto-focus let me down a few times, but its overall performance at high and very high iso is nothing short of spectacular.

Read more »

Maika Elan: Ain't Talkin', Just Lovin'

Photo  Maika Elan-All Rights Reserved

Here's the work of Maika Elan titled Ain't Talkin', Just Lovin', which -in my view- is one of the three photo projects that attracted me the most during the final evening of the Foundry Photojournalism Workshop in Chiang Mai.

Maika attended Maggie Steber's (known as "the incomparable Maggie") class The Power of Images in Todays Media, and presented a photo essay depicting individuals living in Chiang Mai with close bonds to their animal friends. Whether these were cats and dogs, or exotic snakes, the mutual relationship and dependency between the two were brilliantly captured by Maika's lens.

While this photo essay most certainly stands firmly on its own two (or is it four in this case?) feet, I somehow wished it had been accompanied by an ambient soundtrack; perhaps a short snippet of a conversation between the young man and his cat purring...as an example. Imagine that!?

Maggie Steber used a wonderful phrase in one of our recent email exchanges...we (the photographers) need to go beyond the tyranny of the photographic boundaries. Yes, we do. Very much so. And adding ambient sound collecting to our panoply of skills is one way of doing it.

Maika will be soon working with me during my Vietnam Photo-Expedition-Workshop, and I'll make sure she's up and running insofar as multimedia is concerned.

The other two projects I particularly liked during the final Foundry Workshop presentation were Ulises Baque's Oui Nan, and Cheryl Nemazie's Night At The Naga.

Read more »

Ulises Baque: Oui Nan, 93 Years Riding

As per my latest blog post, the presentation evening ending the Foundry Photojournalism Workshop showcased all of the students' work, and I highlighted three projects which I thought were the best. Two of the three were multimedia, and here's one of these. Extremely well made and edited, this short multimedia piece elicited much praise from the audience.

The project was made and edited by Ulises Baque, a videographer based in Thailand. It was made for Henrik Kastenskov's multimedia class, and is about the oldest samlaw cyclist in Chiang Mai.

I intend to write a bit further about this, but the dichotomy of the multimedia and the non-multimedia projects during the Foundry's evening presentation could not have been more stark. Although some of the non-multimedia were interesting and compelling, few could compete for the audience's attention as powerfully as those presented from two classes: Henrik Kastenkov's Storytelling For An Online Audience or my own Multimedia For Photographers.

In short: multimedia (whether as audio-slideshows -with ambient audio- or more elaborate) is the future, and photographers must hop on its train if they want to remain on the cutting edge of their industry, and retain the attention of viewers. I heard this point of view over and over from students after the presentation night...wanting to put their still photography work into a multimedia format and start ambient audio recording.

Read more »

POV: The 5th Foundry Photojournalism Workshop

Photo  Mervyn Leong-All Rights Reserved

During the long flight from Bangkok to London, I thought I'd write up a personal POV on the Fifth Annual Foundry Photojournalism Workshop (FPW) which was held in Chiang Mai from July 29 to August 4, 2012. This will be the closing post on the Workshop.

As my readers know,  FPW is an annual photo event held in various international locations, bringing well regarded photojournalists together to teach to emerging photographers and students who normally would not be able to afford workshops.

Firstly, as I always do, I tip my hat to Eric Beecroft, the visionary (he hates it when I describe him as such, but it's the truth) co-founder of the workshop, and the staff he assembled to support the logistics that such events require to function smoothly.

In my view, FPW Chiang Mai was the best organized of all the workshops that preceded it, although I have to stress that it shares that distinction with last year's FPW Buenos Aires. The availability of the very impressive (jaw-dropping, actually) facilities of the Chiang Mai University's Faculty of Arts were really a phenomenal attribute to this year's workshop.

I don't know if the other classes fared as well, but the two multimedia classes (Henrik Kastenskov's and mine) of the workshop were given large computer labs with about 50 iMacs, all connected to the internet, color balanced projectors and sound systems. Heaven on earth! Thank you, Chiang Mai Uni.

The choice of Yantarasri Resort as hotel accommodations for the instructors and staff was brilliant, as it was comfortable, posh, lovely and well run...plus within walking distance from the University where the classes and presentations were held....and I'm told it has a beautiful swimming pool. Its proximity to Nimmanhaemin, Chiang Mais most fashionable street, made it doubly better. After all, I got my daily fix of mango smoothies from a cafe a few steps away.

The location of Documentary Arts Asia for the portfolio reviews was grumbled about, since it wasn't very easy to find (at least for some map-challenged instructors), and it was space restricted as well. However, the availability of food, drink and masseuses during and after the portfolio reviews made up for the minor shortcomings.

More importantly, I have to laud the accomplishments of my class members. I don't really know how they managed it, but they were the fastest class I've ever taught in grasping Audacity and the concept of audio editing. I was taken aback at their speed/ease in using the nature of sound tools, so breathed a huge sigh of relief much earlier than I expected. 

Alycia-Ray Down, Ahmed Shajee Aijazi, Adelina Abad-Pedrosa, Cheryl Nemazie, Amean J. and Christina Malkoun in my class produced disparately-styled audio slideshows, reflecting their interest and individual personalities. From the faith-based to the human touch, they all shone...not only with the quality of their productions  but also with their enthusiasm and single minded approach. My style is perhaps different from other instructors in as much I don't dictate what sort of projects my students ought to produce. They make the choice, and provided they feel for it and like it, I go along with their choices.

Here's where I may get into trouble, but this is my blog and I answer to no one anyway: in my view, the best three projects were Maika Elan's (Maggie Steber's class) Ain't Talkin' Just Lovin' (a lovely photo essay on young people and their pets), Ulises Baque's Oui Nan, a touching web-documentary on 93 years-old rickshaw driver in the Old City (Henrik Kastenkov's class), and Cheryl Nemazie's Night of the Naga (in my own class), a web-documentary of a small tattoo parlor. Yes, the latter two are multimedia projects...and I am certainly biased. Multimedia is the future...whether as web documentaries or as simpler forms of multimedia.

Finally, I was very touched in getting this sweet thank you card from my class. I always learn more from my class participants than they do from me...so it was I who should've given them thank you cards...but I did share a bottle of excellent red Merlot wine sent to me by Nadim Bou Habib all the way from Lebanon. I also have to express my appreciation at the lovely scarf that Christina Malkoun gifted me, and which I wore in the group's photograph.

In closing, all I have to say is that I was glad to renew/refresh my friendship with so many of Foundry alums, and equally happy to make new friends amongst the students...and look forward to seeing all of them in the future.

Read more »

Presentation Night: Foundry Photojournalism Workshop

Well, the Saturday evening presentations of the Foundry Photojournalism Workshop were held at the Chiang Mai University, and I can confirm that the evening was a total success.

My Multimedia For Photographers class presentations started with Near Sky, a monochromatic photo essay documenting the production of the Chaw Fah (symbols atop the spires of temples) by Alycia Down,  followed by Close Encounters of the Foundry Kind by Amean J...consisting of clips of Foundry students expressing their expectations from the Workshop, then followed by Loun Steve, a personal insight into the life of an American expatriate living in Chiang Mai, afflicted by Tourette disease and Huntington's Disease by Christina Malkoun.

Then it was Ahmed Shajee Aijazi's turn for his personal take on Muslim life in Chiang Mai with his Under The Ramadan Moon, which depicted the Islamic tradition of fasting during Ramadan, and this was followed by Aroy May? by Adelina Abad-Pedrosa, a photo essay of the vibrant street food culture in Chiang Mai, which was followed by Cheryl Nemazie's Night At The Naga, a monochromatic look (complete with the foot thumping music of the legendary Johnny Cash) of a tattoo parlor on Loi Kroh Road.

Three of the audio slideshows were in black and white, and three were in color. All of them different from a visual standpoint and content.

NB: It is indeed a small world. I met a photographer who turns out lived on the same street I am on now in New York City...she moved a few years ago, but what are the odds of that happening? And another photographer who saw me on Sudder Street in Kolkata last October...she also stayed in a nearby hotel and ate at some of the same restaurants. Incredible isn't it?

Most of the photographers with whom I spoke to were following my The Travel Photographer blog...which chuffs me a lot.

Read more »

Almost Finished....Foundry Photojournalism Workshop

Photo Ahmed Shajee Aijazi

Well, the week passed by like a flash! The hard work during my Multimedia For Photographers class (yesterday -Friday-, my students and I spent around 12 hours non-stop in class putting the finishing touches to the multimedia projects) paid off, and the projects are very well done, imaginative and personal.

Tonight is the night when all the students attending the Foundry Photojournalism Workshop will be presenting their individual work...and I bet some haggard-looking people will be walking around like zombies by the end of the day.

Despite spending long hours in class, I find that reviewing portfolios is the most difficult and exhausting of all the tasks I do during the Workshop. It's challenging to provide honest but candid yet constructive opinons about the work presented by the photographers...much of the work I've seen during the portfolio review session was thoughtful, interesting and some outright beautiful...and all was needed was a few suggestions here and there.

Read more »

POV: Finally! A Minimalist Gear....

I'll be in Chiang Mai in a few days for the Foundry Photojournalism Workshop which formally starts in a week from today. I wasn't keen to haul my usual gear with me, especially with my stops in London and Bangkok, so I have just what you see in the picture.

Depending on whether I have the time or not, I intend to shoot a couple of personal projects in Chiang Mai so I chose to take a Leica M9 with an Elmarit f2.4 28mm and a Voigtlander f1.4 40mm, a Fujifilm X Pro-1 with a Fujinon 18mm and the Tascam DR-40 to record audio. All of this fit in my small Domke F-3X (with room to spare); a small and tough shoulder bag I've been using almost incessantly for a couple of years. I shouldn't forget to mention my iPhone4S, which will be useful for ah hoc photography.

Heck...the Tascam audio recorder is larger than either of these two cameras!!!

I will post sporadically during the coming two weeks...with most of the posts from Chiang Mai and the Foundry Workshop.

Read more »

Multimedia For Photographers: Foundry Photojournalism Workshop

I am soon to travel to Chiang Mai for the Foundry Photojournalism Workshop which is to be held from July 29 to August 4, 2012 and where I am to teach photojournalists how to produce audio slideshows that rival in quality and content more elaborate multimedia productions, using their own images and audio generated in the field, and to produce cogent photo stories under the simulation of publishing deadlines.

In reality, it's a little more than that, since through class discussions, I also share my views on typography, aesthetics, titling, marketing, blogging, web design and branding...with a little business savvy thrown into the mix.

This my fifth year with the Foundry Photojournalism Workshop, and I'm glad that my Multimedia For Photographers has been on the curriculum since the Workshop's inception in 2008. I'm also glad my class in Chiang Mai is full. Since it involves practical hands-on instruction, as well as abstract guidance, it's capped at 8 students.

While this class is somewhat more advanced than the one included my own ongoing Photo Expeditions-Workshops (which are also capped at 8 participants), the objective of both is essentially the same.

Read more »

Fuji X Pro-1: LGTB Hip Hop

Photo  Tewfic El-Sawy- All Rights Reserved

I am so taken by the capabilities of the Fuji X Pro-1 that I created a new 'page' on my street photography website The Leica File (And X Pro-1) for my most recent project involving the LGTB Hip Hop gathering during the Gay Pride of 2012 in New York City.

Most of the images I've chosen were made by shooting from the hip, and by pre-visualizing the composition in my mind's eye...not quite a Hail Mary per se, but a sort of "eyeless" photography as I call it in my Is Shooting From The Hip...Photography? post of over a year ago.

I'm quite impressed by the quality of these images, especially as I've decided to quit using RAW with the Fuji X Pro-1 until such time there's adequate software support for its conversion. The Fuji RAW convertor is so clunky that it's laughable, and the Adobe Lightroom seems to have issues with it (I am also considering switching from Lightroom to Aperture....but that's another story).

All the photographs were shot in JPEG (Velvia film simulation setting), and sharpened a touch in Photoshop.

Many years ago, I was told that to be really successful, a street photograph should have no one in it looking at the camera or the photographer, essentially a candid moment. In the dense crowds of the LGBT Hip Hop crowd, that was impossible. However, by shooting from the hip, I did manage to capture such candid moments. The photograph (cropped) that I chose to accompany this post is one of those. A tender moment between two young people whose lives are just starting. Where will they be in 20 years' time?

In other photographs, I wasn't as successful...simply because I stood out like a sore thumb in that type of crowd, and just by being there attracted some stares (and in one instance, given the finger....but I had the camera to my face then).

I realize that I have already shown these photographs on this blog in a short Vimeo audio slideshow, but it didn't show them off in the best light...so these are now on my street photography blog.

Read more »

Travelling Lens Workshop To Ladakh...

What would you get if you mixed a troika of world-class women photographers with the visionary founder of a photojournalism workshop with an expert on Ladakh...and asked them to lead a 15 days photography workshop in a remote corner of the Indian Himalayas?

You'd get the Travelling Lens Master Class...that's what!

The Masterclass Workshop is led by Eric Beecroft (the founder of the Foundry Photojournalism Workshop) and by Varun Gupta, a photographer with first hand knowledge of Ladkah and an alum of the Foundry), with the  extraordinary talents of Andrea Bruce, Maggie Steber, and Ami Vitale as workshop instructors (they are also instructors with the Foundry Photojournalism Workshop whom I know well and respect).

As mentioned on the workshop's website, this is a journey to one of the world's most epic locations, with full access to these professionals for guidance in the participants' photography career.

The dates of the workshop are from June 21 to July 5, 2012 and the journey will include some days in Balistan, in the very heart of the Karakoram.

This is a unique opportunity of joining some of the best Foundry Photojournalism Workshop instructors, so visit the Travelling Lens Workshop website for full details.

Read more »

POV: My Take On The World Press Photo Of 2012

Photo  Samuel Aranda-Courtesy World Press Photo

Well, the results were in from the World Press Photo 2012 contest, and it was Samuel Aranda who won the coveted title of World Press Photo of the Year 2012 award with his photograph of a veiled woman holding a wounded relative inside a mosque used as a field hospital by demonstrators against the rule of President Ali Abdullah Saleh, during clashes in Sanaa, Yemen.

Much has been said and written about whether this photograph deserved the award or didn't, and various opinions from respected photographers, editors and the like, literally flooded newspapers, websites and blogs...and on social network sites. Everyone has an opinion...and voiced it. NPR even compared the scene to the Pieta, writing "the image bears an uncanny resemblance to Michelangelo's iconic (and religious) Pieta. Along those lines, The New York Times describes it as having "the mood of a Renaissance painting."

Ah, well...is this perhaps too much artsy thinking?

Whatever.

But here's my take. I think the photograph is certainly powerful and compelling. Is it a great photograph? Maybe, maybe not...but it certainly hits home with its depiction of pain, anguish and upheaval arising from one of the countries least known in the Middle East...Yemen. This is not the often seen pictures of young protestors with painted faces or gas masks, civil war or brutal police or military violence. Just a profoundly sad image.

Another thing struck me. Here's a photograph of a scene of a badly injured protestor, lovingly cradled by a woman totally veiled, covered in a niqab and wearing gloves. While she is virtually faceless, I  sensed her pain, her suffering and agony by her body language...which no niqab can hide. Her being covered up so fully may even compound the poignancy of the scene.

And that's the power of this photograph.

And yes, niqab-wearing women are sentient human beings...they're mothers, wives, sisters, daughters and experience suffering, anguish. love and affection as we all do.

That's my take on it. And in my view, that's why it won.

Samuel Aranda was born in 1979 in Santa Coloma de Gramanet, Barcelona, Spain. When he was 19, he began working as a photojournalist for El Pais and El Periodico de Catalunya. A few years later, he traveled to the Middle East to cover the Israeli-Palestinian conflict for the Spanish agency EFE. In 2004, he joined Agence France-Presse, covering multiple conflicts and social issues in Spain, Pakistan, Gaza, Lebanon, Iraq, Palestinian Territories, Morocco and Western Sahara.

Read more »

Asia Society: Princes And Painters In Muhgal India

The Asia Society Museum in New York City is to show Princes and Painters in Mughal Delhi, 1707-1857, an exhibition showcasing Delhi's rich rich history of art, artists and patrons who flourished during this critical period.

The exhibition will focus on the reigns of the last four Mughal emperors  Muhammad Shah, Shah Alam II, Akbar Shah II and Bahadur Shah II Zafar. The latter emperor is the subject of William Dalrymple "The Last Mughal"...a captivating biography of Bahadur Shah Zafar, a descendant of both Genghis Khan and Timur the Great, and of the city of Delhi around the time of the Sepoy Rebellion.

The Sepoy Rebellion was eventually put down with great brutality by the British in a series of bloody battles, and Old Delhi was virtually ransacked. For those of us who know it, the Red Fort and the Jami Masjid were within a hair's breath of being razed, but were saved through the intercession of a high ranking British military commander. Imagine Old Delhi without these two architectural and historical gems?!

Bahadur Shah Zafar was sent into exile in Burma, where he died. He was banished not so much for what he did during the Rebellion, but because the Victorian Evangelicals were determined to replace his influence with that of Christianity. Zafar, having a Hindu mother, and an observant Muslim, appealed to India's major two religions and that couldn't be tolerated.

Researching the subject for this post, I read in a 2009 issue of the Telegraph that efforts were made to trace Zafar's descendants. It seems many have fled to Kolkata and Aurangabad, while others live in Burma and Pakistan.

Note to Publishers and Agents: I do not feature book reviews unless I read and like the books I write about or mention. So do not waste your time emailing me to publicize your book(s) on this blog. I will not.

Read more »

POV: 5th Anniversary...Yes, 5th!!!

I always write a post at this time of year to observe the annual anniversary/birthday of The Travel Photographer's blog. I've started the blog five years ago (in London actually, and probably only because I was stuck at home as it was raining) and since then, it attracted an astonishing number of readers and visitors.

On the poster above, I haven't added my 5400 followers on Lightbox, an Android app (and soon to be on iPhone too as well).

Over two million unique visitors! Two million!!!

It established itself as a blog to read amongst a certain segment of the photography industry, and earned me the attention of many photographers (pros, semi-pros and non pros), photo retailers and industry experts. Yes, it's time-consuming (much less so now because it's well known, and requests from photographers find their way to my inbox on a weekly basis), but I still have enough self discipline to attend to it on a daily basis (well, 99% of the time).

And one of the most pleasant thrills I experience is being accosted in public and asked if I was "The Travel Photographer"...and this happens not infrequently, especially in New York City. If I may say so, adopting the brand name "The Travel Photographer" is one of the best ideas I've had in years. A self-pat on the back for thinking of it. A lesson to the younger photographers: brand yourself!!!

Onwards towards the 6th year.

As they say in my country of birth...Insha' Allah!

Read more »

The Hajj via PlanetPic

Photo  Fayez Nureldine - AFP/Getty Images

PlanetPic, the photography blog of Global Post, is the first of the main photo blogs to feature over two dozen photographs of the Hajj...and it appears it'll be updated as the religious pilgrimage progresses.

The Hajj (Arabic for pilgrimage) to Mecca, Saudi Arabia is the largest pilgrimage in the world, and is the fifth pillar of Islam, a religious duty that must be carried out at least once in their lifetime by every able-bodied Muslim who can afford to do so. More than 2.5 million Muslims are expected to perform the Hajj; a demonstration of the solidarity of the Muslim people, and their submission to God.

This year, the Hajj occurs from November 4th to the 9th. Although it's associated with the life of the Prophet Muhammad from the 7th century, the ritual of pilgrimage to Mecca itself is considered by Muslims to stretch back thou.sands of years to the time of Abraham.

One of the photographs shows a pilgrim shaving his head, and it struck me that the Hindus do the same during the Kumbh Melas, and during other religious rituals.

Syncretism? Perhaps...but the French saying of plus a change, plus c'est la mme chose seems to be appropriate.

Read more »

Human Currents At The Rubin Museum

Photo Courtesy The Rubin Museum of Art

The Rubin Museum of Art is featuring an exhibition of images of the 2001 Maha Kumbh Mela by Swiss photographer Hannes Schmid. The exhibit appears (according to the pictures, as I have yet to drop by the RMA) to be extraordinarily well installed.  It's also an unusual set of photographs, as they're all closeups of crowds or groups of pilgrims...instead of the more exotic Nagas, sadhus, charlatans and mendicants that I vividly recall populated the Maha Kumbh Mela. I'm not sure what the intention of showing snapshots of crowds is, but it got Schmid an exhibit at the RMA....so perhaps I'm missing something here.

Human Currents is located in the RMA's Theater Level Gallery. Admission to the Theater Level Gallery is free of charge.

According to the RMA's press release, Schmids large C-print (ie Chromogenic color prints) photographs depict the enormous act of faith that was the Maha Kumbh Mela. The exhibit presents seven of these images, along with an accompanying video installation, that shows us the event's claustrophobic crowds, myriad colors, and frenetic energy of this greatest of Hindu pilgrimages. 

Driven by an enormous religious power, there was absolutely nothing that could have stopped these pilgrims from fulfilling their vows. -Hannes Schmid

The Maha Kumbh Mela occurred  from January to February 2001, when tens of millions of pilgrims converged in Allahabad, India for the festival, which was held only once every one hundred forty-four years. It was the largest gathering of human beings on earth, and saw devotees of all ages, castes, and classes from every corner of India. 

I remember being in my hotel room in Allahabad readying myself to photograph the Maha Kumbh Mela, and quickly turning off the television set because it was showing the inauguration of George Bush as President of the United States. It seems it was only yesterday but it wasn't. While I had serious misgivings about his presidency, little did I know then it'd be as disastrous.

Read more »

Delhi Photo Festival: October 15-28, 2011

As I mentioned in earlier posts, Delhi Photo Festival is progressing steadily, and now includes an  array of workshops, lectures, portfolio reviews, gallery walks and seminars.

I am very pleased to be participating in the festival, where I will teach a short multimedia module on October 15 aimed at photographers and photojournalists to produce audio-slideshows that rivals in quality and content then the more elaborate multimedia productions.

On the morning of the same day, I will be reviewing portfolios of non-working photographers at the same venue, the Habitat Learning Centre.

The above image is the official poster for the 'Delhi Photo Festival'. Feel free to make copies and disseminate to photo enthusiasts as widely as you can.

Read more »

John Kenny: Kenyan Portraits

Photo  John Kenny-All Rights Reserved

The Guardian newspaper in London alerted me of an exhibition opening next week of John Kenny's new portraits from Kenya.

John Kenny started a journey in 2006 that took him though many of Sub-Saharan Africas remotest communities. He spent hours walking, hitch-hiking and driving across African countries making photographs of people, ancient cultures and traditions.

The Guardian and the exhibition venue (3 Bedfordbury Gallery) has a selected number of these portraits, but the collection can be best seen on John Kenny's website.

He tells us that the images were taken during his second trip to the far North of Kenya in 2011. With major drought across the Samburu, Rendille and Turkana villages in the region, he wanted to to convey a little more on how climate changes are undermining traditional pastoral ways of live in East Africa.

I have featured John Kenny's work a number of times. You can the posts see here and here.

Should I go and see the exhibit at the Covent Garden gallery whilst I'm in London, I'll post my impressions.

I just noticed that John Kenny used a 10x8 format Chamonix camera for some of his work.

Read more »

Reminders Project Asian Photographers Grant

The five finalists of the inaugural Reminders Project Asian Photographers Grant were announced on September 12th.

These accomplished photographers were selected by a jury panel from submissions received from all over Asia, and will have their work showcased at this years 7th Angkor Photo Festival, which is held from November 19 to 26, 2011, in Siem Reap, Cambodia.

The winner of the grant will be announced during the festival, and will receive financial support of US$3,000 for his/her winning project. The project will also be shown next year at the 8th Angkor Photo Festival.

2011 FINALISTS
AGNES DHERBEYS
South Korea / France

ANDRI TAMBUNAN
Indonesia

GMB AKASH
Bangladesh

SHIHO FUKADA
Japan

ZISHAAN AKBAR LATIF
India

Read more »

September 11, 2001: The Fringe

All Photos  2011 Tewfic El-Sawy-All Rights Reserved

For those who have no press passes, access to Ground Zero was prohibited yesterday. Nonetheless, the areas around it did provide opportunities for good street photography.  Naturally, any event of such a magnitude brings along the fringe...the conspiracy theorists,  the government haters, the religious minded...and the Obama supporters.

Read more »

Stephane Sednaoui: September 11, 2001

Photo  Stephane Sednaoui-All Rights Reserved

Out of the many images of the aftermath of September 11, 2001 that were published in the past few weeks, I thought the most compelling were by Stephane Sednaoui featured by TIME's LightBox, which is one of the best photo blogs.. Perhaps it's because I hadn't heard of him nor seen these images before,  and were in many ways different from those I had seen before.

Stephane Sednaoui is a photographer and a movie director, and has also worked as a documentary photographer covering the Romanian Revolution of 1989. He has photographed many music album covers, and directed more than 50 music videos.

Interestingly, Sednaoui's ancestors were originally from Syria, who moved to Egypt and established one of the country's first top notch department stores. The Sednaoui brothers, Samaan and Selim, established the Sednaoui (pronounced 'Sednawee') store in the early 1900s. The store still exists to this day, but is a shadow of its grandeur after being nationalized in the 60s.

The school I attended in Cairo required that all students buy their uniforms; blazers, caps, shorts and keen-high grey socks from the Sednaoui store, and I recall quite well my excitement each year in getting these new uniforms.

Read more »